I found both of the released episodes to be rather underwhelming...which was what I was expecting. A handful of the jokes were funny, with Robotnik's surprisingly blunt comment about Orbot and Cubot having no souls easily being the best, the art style was competent from a technical standpoint, and Roger Craig Smith's take on Sonic was actually tolerable for once, but everything else was lackluster at best. Most of the humor fell flat, while characterization ranged from annoying to bland. No introduction was given to Sticks, the new main cast member; for that matter, no establishing narrative context was offered whatsoever, leaving the audience to assume that the series is, for all intents and purposes, no different than the mainline Sonic "continuity" (a term I use loosely), thus making the decision to have Sonic Boom exist as a separate universe completely pointless. Given that the series touts itself as being entirely episodic, it seems pointless to entertain the notion that future episodes will take measures to establish meaningful worldbuilding, much less character development or thematic exploration.
The setting in particular irked me, as the first episode was set in a tropical jungle...up until the script called for a frozen lake, at which point the climate abruptly shifted considerably to accommodate. Already, it seems obvious that this world wasn't thought out at all, that it is nothing more than a soulless backdrop for a series of random gags that can shift at the slightest whim of whomever happens to be penning the script of the week. This in turn is indicative of what I find most damning of the series: there's no heart invested in it, no passion or ambition, at least not at its creative core. By all evidence, it exists as nothing more than an advertisement, a means of selling more toys and video games...the ultimate irony of course being that the actual Sonic Boom game is, by most accounts, severely wanting in quality itself, almost as if it was churned out for the sole purpose of promoting the show. A detestable cycle, to be sure.
To be fair, these cynical ramblings may be premature, with the series ultimately bearing better fruit than its initial offerings suggest, but I frankly doubt it.
...It's just frustrating, really. Shows like SatAM and Friendship is Magic were commissioned under similar circumstances, as nothing more than glorified advertisements, but against all odds they achieved greatness because their creators had the passion and ambition needed to go far beyond what was expected of them. I find their ability to transcend norms and create genuine art in such corporate, commercial environments so inspiring...to then see something like this brings me back down to Earth, so to speak, grounding my romantic notions with a stern reminder that such cases are very few and far between, that they only stand out because they are surrounded by so much uninspired, lifeless drivel.