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Ah, good. We have backgrounds that are more carefully drawn on the third page. You'd be suprised how well a few objects like pictures and plants help distiguish the scene from a barren, empty room. I also get the impression that Salamander is improving with the way she draws the chararacters. Soon I won't be able to tell her work from DiC's.
You know Salamander, maybe when you become more experienced with backgrounds, you might want to try painting them without any lines. Just use a program like Painter, openCanvas or SAI to illustrate them as matte paintings. If you look through the site's screen caps gallery, you'd see this matches the cartoon's animation style. With proper care, it's possible to reproduce this look in a comic. Take a look at this page from a Secret of NIMH comic. The characters are drawn and coloured the same way as yours, but the backgrounds are painted in such exquisite detail as to make the mice stand out more sharply. Only 'animated' background elements use flat colours. If your goal is to emulate the style of SatAM as closely as possible, it's something worth considering.
Thanks for the advice, I'll give it a shot next time.
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BTW Salamander, how are you inking your lines? They vary wildly between thick and thin with no real consistency and they generally look sloppy. Just look at poor Rotor on the second-last panel.
Tried a brush-tip micron pen for the thicker lines, didn't really work out though. I have a speedball pen and a few small brushes but I'm not confident with them yet. Usually I stick to plain flat micron pens since they're easy to use, even if the lines have no variations they at least look consistant.. and less of a risk that I'll ruin the penciling. It all comes down to practice I guess. I'm envious of good inkers..